Transmissions – Ann Tracy

Renewals during the apocalypse

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Oct 17 - Nov 21
10:00 - 17:00

Location
Impulse Gallery


Artist Ann Tracy uses stylistic figuration to play with ideas of history, medieval art, icon painting, and iconography more generally. Reminiscent of the sort of the artworks created in the post-apocalyptic world of Walter M Miller’s A Canticle for Lebowitz, a place where elements of the contemporary world are held in aphasic reverence amongst other more religious elements.

Ann Tracy, Adrian and the twins, 2024

Ann Tracy, Adrian and the twins, 2024


Ann Tracy, Dawn and Dusk in the Midnight Garden, 2021

Ann Tracy, Dawn and Dusk in the Midnight Garden, 2021


Ann Tracy, Night Time Garden II , 2022

Ann Tracy, Night Time Garden II , 2022


Ann Tracy, Fire Puja, 2023

Ann Tracy, Dawn and Dusk in the Midnight Garden, 2021

Exhibition notes: 

Throughout her career, she has drawn inspiration from artists such as Philip Guston and Piero Della Francesca, whose work has informed her understanding of geometry, atmosphere, and the human condition. In several works in this exhibition, we see a direct nod to early Renaissance masterpieces, such as Tracy’s large scale, multi-panelled painting Adrienne and the Twins, which recalls Piero Della Francesca’s famous Polyptych of the Misericordia (1460–1462). However, as in all Tracy’s works, she moves beyond time to lay out narratives and imagery that is specific to the fragility of our own times. In Adrienne and the Twins, the Virgin Mary is sitting on a pink 1979 Ford Thunderbird – a now obsolete gas-guzzling vehicle – which appears to be slowly submerging in water. She presents a time of great challenge and change. The old ways are gone.
Ann Tracy’s work beautifully describes the rare times that we are living. In addition to art historical references, her practice is further influenced by her extensive experience in creative community projects, including her work in Miami with people living with AIDS as well as a variety of diverse populations, including homeless and runaway teens and new Haitian immigrants during the 1990s. Her large-scale works highlight the personal and collective experiences of communities, responding to ongoing social struggles. As well as representing women, in Transmissions, Tracy’s subjects include animals, plants, elements, landscapes and even otherworldly forms. She draws them all together in a collective experience of this period of change and imbalance which the artist constantly refers to in her work.

Impulse Gallery, Lucerne, Switzerland
17 October – 21 December 2024
Haldenstrasse 19, 6006 Lucerne

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