Archive - Trebuchet

Chris Levine, 528 Hz Love Frequency, Houghton Hall, Installation view, Photo Pete Huggins (7)

The Optics and Shine of Chris Levine Pt 2

08/06/2022

An interview with famed photographer and light artist Chris Levine. ...

Chris Levine, 528 Hz Love Frequency at Houghton Hall, Installation view, 2021, Courtesy the artist, Photo Michael Fung (7)

The Optics and Shine of Chris Levine

01/06/2022

An interview with famed photographer and light artist Chris Levine. ...

Michael Rumsby, The Beautiful Lost, 2022.

Safety in Michael Rumsby’s Nature

24/05/2022

Michael Rumsby on landscapes, loving life & joy in painting....

The Unquenchable Fire of Killing Joke

23/05/2022

Refusing defeat, Killing Joke conquer Hammersmith. Live Review 9th April 2022. ...

Bob Dylan, Rail Car, Chateau la Coste, 2022.

Blood on the Tracks: Bob Dylan

15/05/2022

Noble Laureate Bob Dylan exhibits his sculptures in the South of France ...

PAUL SIETSEMA Carriage Painting (Green Square), 2022

Conceptual Art and the Danceful Process of Dialogue: Paul Sietsema Pt 2

09/05/2022

Labours of meaning, stances of distances - an interview with Paul Sietsema. Part two....

Billy Strings, Islington Assembly Rooms, 26 march 2022, © Kailas Trebuchet

A Band Beyond Definition: Billy Strings

08/05/2022

A review of Billy Strings, Islington Assembly Hall, London, UK. 26th and 27th March 2022....

A Conversation Between Body & Object: Lee Ufan

05/05/2022

The Korean artist prepares himself mentally and physically to begin each work and adopts specific bodily postures during the making process ...

Midnight Oil 2019 London Photographer Awais Butt_small

Cultural Messengers: Midnight Oil Keep Burning

05/05/2022

Moods stretch from the wilderness reverie of ‘Tarkine’ and the poignant ‘Lost At Sea’ to the anthemic protest celebration...

PAUL SIETSEMA Black Phone Painting, 2022

Conceptual Art and the Danceful Process of Dialogue: Paul Sietsema Pt 1

03/05/2022

Labours of meaning, stances of distances - an interview with Paul Sietsema. Part One....

Hope and Myth in Mitch Griffiths’ Immortal

28/04/2022

A review of Mitch Griffiths IMMORTAL exhibition at Halcyon Gallery...

Ghost Like Traces: Between the Ephemeral & the Permanent

28/04/2022

A playful web of philosophy, cultural semiotics, and gentle manifestations of joy....

The Knight Divided, Nature Interrupted

27/04/2022

The Twin Exhibitions of Richard Stone and Celina Teague ...

Music from Weird Masses: Jarboe

26/04/2022

Experimental icon Jarboe remasters and rereleases her 1986 record Blood Women Roses. ...

Peter Van Dyck, Dobson, Hallway, Hillside, 2021

The Being Beyond Feeling: Peter Van Dyck Pt 2

25/04/2022

An interview with perceptual painter Peter Van Dyck pt 2...

The Being Beyond Feeling: Peter Van Dyck Pt 1

18/04/2022

An interview with perceptual painter Peter Van Dyck pt 1...

Tae Kim Facelessgamer-'tnqkr please', 2021

Faces of Consequence: Tae Kim Pt 2

11/04/2022

Korean artist Tae Kim on the portraits she draws from cyberculture. Part 2...

Oh Myung Hee, The days were snowy but warm.acrylic on canvas, mother of pearl, 2022

History and Appropriation: Oh Myung Hee

08/04/2022

Oh Myung Hee's 'The Days were Snowy but Warm' exhibition to show in Venice 2022...

Richard Thompson, Guitar/Vocals, Album Cover

New Folk for Old Tunes: Richard Thompson

07/04/2022

A review of the rerelease of Richard Thompson's 1976 collection of rare and unreleased material (Guitar/Vocal)...

undo undo undo: Vivien Zhang

06/04/2022

Colliding motifs generate a sense of fluctuation and ambivalence, against a backdrop of repetition and certainty. 'undo undo undo' by Vivien Zhang questions our technological world making. ...

Fire and Guitars: The Undertones

05/04/2022

Punk Rock and Roll. A review of legendary band The Undertones at the Electric Ballroom...

Faces of Consequence: Tae Kim Pt 1

05/04/2022

Korean artist Tae Kim on the portraits she draws from cyberculture. Part 1...

People, History, Paint: The Rise of Gisela McDaniel Pt 2

28/03/2022

An interview with diasporic, indigenous, Chamorro artist Gisela McDaniel on what narrative means. Part 2...

Aubrey Williams, Guyana Sun, 1967. Powder paint and gouache on paper, 59 x 76.5 cm. ©Aubrey Williams Estate.

Sunphase: Aubrey Williams

21/03/2022

Uniquely evolved expression of abstraction in Caribbean art, Sunphase is a chance to see Aubrey Williams' rare works on paper...

People, History, Paint: The Rise of Gisela McDaniel Pt 1

20/03/2022

An interview with diasporic, indigenous, Chamorro artist Gisela McDaniel on what narrative means. Part 1...

The Crossroad Blues and High Vantages of Oli Kellett Pt 2

14/03/2022

An interview with Oli Kellett, the artist behind the award-winning Cross Road Blues photographic series...

Ploughing Landscapes: Rachel Rose

08/03/2022

Eggs, time transformation. Classical landscapes tilled for revolution in Rachel Rose's Enclosure....

The Crossroad Blues and High Vantages of Oli Kellett Pt 1

07/03/2022

An interview with Oli Kellett, the artist behind the award-winning Cross Road Blues photographic series. ...

Photo from Mythical Creatures by Liad Hussein Kantorowicz. Photography by Aviv Victor. 17m35s film, 2020

Nothing About Us, Without Us: Active Bodies at the ICA

02/03/2022

A review of Decriminalised Futures at the Institute of Contemporary Art (ICA), an exhibition showing sex work as artwork....

NAIRY BAGHRAMIAN Jumbled Alphabet, 2021. Photo: Rebecca Fanuele

What is Sculpture? Nairy Baghramian

01/03/2022

Exclusive interview with 2022 Nasher Prize Laureate Berlin based sculptor Nairy Baghramian...

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