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One Man Subculture. Alva Bernadine talks Forniphilia [NSFW]

Bringing a touch of Surrealism to the art of Fetish, photographer Alva Bernadine talks to Trebuchet...

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White Light, Infinity and a Love of Life (Swans Remasters)

Swans continue their remastered reissues series on Mute / Young God Records...

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Collagist by Circumstance (Patrick Bremer)

Patrick Bremer was trained in oils but “ended up doing collage out of circumstance,”...

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Love being dirty. Loving sounding dirty (Mother’s Cake)

Austria's hardest rockers talk to Trebuchet after their clamorous European support slot with Limp Bizkit...

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Up Yours? Blame Saint Peter for the Two Fingered Salute

Ulnar nerve damage caused original benediction sign ...

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Sex, Slashing and Suffrage: The Rokeby Venus (Diego Velasquez)

Mary Richardson's ‘vandalism’ of the Rokeby Venus has become part of the story this painting tells, not something which detracts from its beauty. ...

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I, for one, welcome my new machine overlord (The art of Russell MacEwan)

Interview with artist Russell MacEwan on the creation of the artwork for Author & Punisher's Melk En Honing....

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Scenes & Sonics (National Gallery)

Six very different musicians/sound artists/composers each select a work from the National's collection and create a soundtrack to accompany it....

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Finding the Child Inside : Kathy Curtis Cahill

My main interest is still people and their inner selves hidden behind the public face. I am looking for ways to show that still vulnerable child inside....

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Moving glass, Bending Light. Linda Sue Price (Interview)

Experience neon in a new way — not as a sign — rather as fluidly moving glass ...

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Duchamp, Cy Twombly and outrageous family (Chenhung Chen)

If one wants to be an artist it’s because they need to be one. The desire must come from within. It’s not something I believe can be recommended to someone. Chenhung Chen...

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A Painter of the Mind (Agnes Martin)

Her artwork can sometimes say as little as it can possibly say whilst still existing. But what an enormous statement that is....

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Hanging Offence: Kristin Hjellegjerde

I think it is often necessary for art and literature to touch on subjects that can be difficult. If people in arts don’t do it, who will?...

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Waiting for a Callback. The Allure of Echoing Caverns

Distinct echoes would be totally unforgivable in today's performance spaces. But, in the past, people sought echoes....

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Trebuchet Talks

Listen to the podcast or book tickets to future events. ...

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Great Things – Rebecca Pelly-Fry, Griffin Gallery [Interview]

I guess there is an element of wanting to put our stake in the ground and say that we believe the artists we show are going to go on to great things....

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The Other Garden

Four artists explore themes of temptation and paradise lost, voyeurism and privacy, curiosity, obsession and gratification...

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A mixture of figuration and abstraction. Interview [Bernie Clarkson]

'It was such a surprise to win the trip and exactly the sort of prize I would have chosen for myself'...

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Free-fall bliss of the iris [Richard Diebernkorn]

Diebenkorn himself has said that he was unaware of his surroundings as an artist...

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Searching for the Great American Album [JKutchma]

dropcap style=”font-size:100px; color:#992211;”T/dropcaphere is eternal credence in the idea of “the great American novel”. The essential capturing of American culture – its...

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Hanging Offence : Woodrow Kernohan

Woodrow Kernohan, Curator of Ireland's Venice Biennal Exhibition talks to Trebuchet...

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Every myth is a memory, formed through complex layers of tellings through time.

OE: Orpheus and Euridice: For the next half an hour music and poetry weaved in and out of each other in a richly discursive mesh of words and sounds, sometimes obscuring and at other times refining...

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Notes on a Dog

“Get rid of the dog”, she said. “Or get rid of me.”...

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Arboretum : Royal West of England Academy

Fittingly, many of the paintings also included in this show are left raw and unframed, exposed to the elements – and artistic scrutiny....

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Muses, monsters and mannequins : Base Gallery

Muses, monsters and mannequins, an exhibition that explores what it means to be human....

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Nick Lord : Realising The Truth [Interview]

When I first started to draw, I was massively influenced by the expressionists. Egon Schiele in particular. From them I learned the importance of breaking away from tradition...

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Sigmar Polke at the Tate: Where Mao meets the Sausage Eater

Polke’s humour wasn’t sarcastic, it was a form of rebellion. His volatile artistic tendencies that leave us breathless in awe were his way of shedding each and every conceptual artistic form....

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Tom De Freston : The Charnel House [Book]

One of the major successes of de Freston's imagery lies in the fantastically delicate positioning of the horrible and the harrowing with the everyday...

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Suspicion : Jerwood Encounters

Much of the exhibition literature talks of the legacy of film and photography, but the internet and its spawned cacophony of imagery and new modes of looking is clearly also a player in this...

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Anselm Kiefer : Royal Academy

When Kiefer is at his best we don’t need the leaden symbolism of diamonds, not when the mud and filth of paint can carry the weight of time and gold...

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