Tag: contemporary

Acucar, Exuberance, Samba and Slate: Vanessa da Silva at Mostyn 2025

Vanessa da Silva's Roda Viva exhibition brings Latin-style exuberance to open the 2025 season at Mostyn, Wales...

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Pointing the Finger: Daria Blum

Dance across borders and generations...

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A Wearable Art: Eloise Holmes

Weaver Eloise Holmes discusses bridging the worlds of arts and crafts...

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Hanging Offence: Jessica Phillimore

Jessica Phillimore, Founder & Director of Dellasposa Gallery speaks to Trebuchet....

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Trebuchet Tips: Frieze Week

What you should see and how to survive the busiest week in the art industries calendar ...

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Frieze 2022

Paint rules the day at Frieze 2022. ...

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Image Junkies

Mia Fineman discusses The Folio Society’s new edition of ‘On Photography’...

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If Only These Walls Could Talk: Maryam Eisler

Maryam Eisler brings ‘Sublime Femininity’ to London....

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Alternative Possibilities: Céline Condorelli

Celine Condorelli discusses her practice and her first survey exhibition at Talbot Rice Gallery....

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A Space We Share: An Interview with Nico Marzano

Head of Cinema at London's ICA, Nico Marzano discusses this years FRAMES of REPRESENTATION....

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Safety in Michael Rumsby’s Nature

Michael Rumsby on landscapes, loving life & joy in painting....

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Blood on the Tracks: Bob Dylan

Noble Laureate Bob Dylan exhibits his sculptures in the South of France ...

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The Empowered Salon of the Queer

A review of imagery and technique at Guts Gallery’s Salon...

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Memories of a Warrior: Chaz Guest

Chaz Guest brings his vivid scenes of American history to his first New York show in two decades. ...

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Primordial Whispers at Arusha Gallery

An epistemological exhibition on forbidden philosophies, folk knowledge and intuitive spirits via Arusha Gallery...

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Bread Houses, Dreaming Horses: Urs Fischer

Haunting or playful? Urs Fischer's unique sculpture proves you can have both...

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Who’s Afraid of Tonality? (Max Richter, Sleep @ Barbican)

As much gig as concert, The Barbican turns to Max Richter for crowd-pulling contemporary performance. Review...

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Hanging Offence: Bjorn Geldhof (YARAT)

Artistic and Strategic Director Bjorn Geldhof answers Trebuchet's questions about YARAT art space and his intentions there....

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Mystical Moves, Dance and Freedom : Interview [Salah El Brogy]

There’s a thriving dance community in the UK that really helps you keep that fire in your belly...

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Application : System Fork

Fascinating hybrid forms that don't fit easily into genres, but operate along a fluid ambient/electronica/electro spectrum...

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This is Not a Book About Gavin Turk

By expounding upon Turk's themes, recurrences and symbolic obsessions, a profile develops which is, enchantingly, acres more telling than a full-frontal biographic assault...

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Edible Art Movement (Singapore) : Rice

Edible Art Movement undertake to grow rice in central Singapore....

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Felix Kubin : Interview

I don't want to be a pop underground star when I'm sixty on stage. I love the genre of pop but it's just one of many genres....

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Sendai : A Smaller Divide

There's a very interesting and productive tension between chaos and order and light and dark running through the album....

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The Music of Bernard Parmegiani at LCMF

While in Paris Parmegiani's work is usually presented in state of the art, state-subsidised spaces, here it manifests in multi-storey car parks and former carpet factories, both in formerly abject...

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LCMF Presents the music of Bernard Parmegiani

LCMF Presents the music of Bernard Parmegiani 21-23 March, Britannia House E1...

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Kraftwerk Uncovered at The Science Museum

It was only natural that sooner or later, Kraftwerk would materialise in some form at the Science Museum...

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Resonance FM at Cafe OTO

Resonance104.4fm presents a night of kick-ass sound-art superstars...

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Supersonic Festival 2014 2-Dayer

On 30th and 31st May, Capsule present 'Supersonic Festival Ltd Edt' and shall return to the Custard Factory where it all began…...

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Max Richter : Memoryhouse [Live]

An ambitious beautiful record that deserves a rediscovery outside of its historical parameters...

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