contemporary art Archives

Pointing the Finger: Daria Blum

26/09/2024

Dance across borders and generations...

Kengo Kito, cartwheel galaxy, 2020. Acrylic, glitter, glass, spray, cotton, cloth, vinyl on canvas. 194 x 589 x 6cm. Photo by Shinya Kigure. Courtesy of MtK Contemporary Art

Magnus Renfrew: Curating Tokyo Gendai

07/07/2024

An interview with art doyen Magnus Renfrew...

LUAP, Searching Through My Memories. Oil And Acrylic on Ply, 2021. 274cm x 183cm

The Unbearable Reward of Art: LUAP

27/05/2024

A preview of LUAP's €250,000 art prize...

Structures and Disorder

08/05/2024

An interview with artist Jon Kipps...

Artwork by Keith Tyson, entitled The Seductress, 2023 at Alon Zakiam Gallery

Art Through Time: Alon Zakiam Gallery

06/05/2024

A review of Art Through Time exhibition at Alon Zakaim, 2024...

The Manufacture of the Modern World

01/05/2024

The constructs of Jon Kipps...

Hanging Offence: Jessica Phillimore

09/12/2023

Jessica Phillimore, Founder & Director of Dellasposa Gallery speaks to Trebuchet....

Trebuchet Tips: Frieze Week

10/10/2023

What you should see and how to survive the busiest week in the art industries calendar ...

Celestial Art: Gail Olding and Trina Bohan

13/07/2023

Descriptions of the firmament: Gail Olding and Trina Bohan...

On The Question Of AI Imagery

09/07/2023

Something is getting lost in translation. Does AI Art lose the creative crucible required for depth? ...

Septuplet: How Art Can Nurture Radical Urban Immersion

04/05/2023

Embedded within our individual experience of life is the notion of consumption and presence, by which the parameters of human experience can be constructed (as much as it could be disrupted)....

Chloe Louise Lawrence,. Perfectly neat, but not fine, 2023. Photo by Benjamin Deakin

Inside: Intercorporeality of Art and Architecture

03/05/2023

We-world arising from the legacy of wealth. A review of Inside, an installation......

Joël Andrianomearisoa, Installation of OUR LAND JUST LIKE A DREAM, 2022

The Audience and the Work: Joël Andrianomearisoa

06/12/2022

An interview with Malagasy installation artist Joël Andrianomearisoa ...

Image Junkies

30/10/2022

Mia Fineman discusses The Folio Society’s new edition of ‘On Photography’...

Art is like a Love Affair: Tina Grønning

16/09/2022

An interview with Art collector Tina Grønning ...

Alternative Possibilities: Céline Condorelli

28/08/2022

Celine Condorelli discusses her practice and her first survey exhibition at Talbot Rice Gallery....

Tranquil Voyage

06/08/2022

A conversation between space, display and the mind of Celine Condorelli...

Forever Changed: Various Giant Artists

15/07/2022

FOREVER: CHANGED comments directly on how mass media, culture and production had previously been held at a critical distance....

Chris Levine, 528 Hz Love Frequency, Houghton Hall, Installation view, Photo Pete Huggins (7)

The Optics and Shine of Chris Levine Pt 2

08/06/2022

An interview with famed photographer and light artist Chris Levine. ...

Chris Levine, 528 Hz Love Frequency at Houghton Hall, Installation view, 2021, Courtesy the artist, Photo Michael Fung (7)

The Optics and Shine of Chris Levine

01/06/2022

An interview with famed photographer and light artist Chris Levine. ...

Michael Rumsby, The Beautiful Lost, 2022.

Safety in Michael Rumsby’s Nature

24/05/2022

Michael Rumsby on landscapes, loving life & joy in painting....

A Conversation Between Body & Object: Lee Ufan

05/05/2022

The Korean artist prepares himself mentally and physically to begin each work and adopts specific bodily postures during the making process ...

Ghost Like Traces: Between the Ephemeral & the Permanent

28/04/2022

A playful web of philosophy, cultural semiotics, and gentle manifestations of joy....

Juan Arango Palacios Jungle Study (2021)

The Empowered Salon of the Queer

01/02/2022

A review of imagery and technique at Guts Gallery’s Salon...

The Politics of Genre: Shahzia Sikander

25/01/2022

"Art history is deeply Eurocentric and tends to place art that doesn’t sit comfortably within its canon as the ‘other’ and never as ‘avant-garde’."...